Photo Illustration by Thomas Levinson/The Daily Beast/Getty/Paramount+Taylor Sheridan has made a public point of touting his role as the primary (if not sole) author of his TV ventures while decrying collaborative writers’ rooms, which means he’s responsible for his Yellowstone devolving into a morass of soap opera clichés and his latest, Special Ops: Lioness, going for the jugular via nothing but generic maneuvers. A military thriller minus any thrills, originality, or nuance, it seems destined