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work that i ve done work that s been done by other historians of science film studies people communication studies scholars even folkloreists. so this will be particularly interdisciplinary. for reasons that should by now be obvious. the topic is interdisciplinary. so in particular we re going to return to this question. right. what are the relations between art science and entertainment and culture in cinema? how do they reinforce one another in these particular contexts? we re going to see the movement of people the same people across institutions right across media forms and across science. so it s all going to be kind of blending together. and also science education obviously in science education what students are taught depends on what the state of the art knowledge is for that period so we have to consider. what is the scientific and technical knowledge but really to understand this historically we have to understand how science education is both a product and a d ....
be obvious. the topic is interdisciplinary. so in particular we re going to return to this question. right. what are the relations between art science and entertainment and culture in cinema? how do they reinforce one another in these particular contexts? we re going to see the movement of people the same people across institutions right across media forms and across science. so it s all going to be kind of blending together. and also science education obviously in science education what students are taught depends on what the state of the art knowledge is for that period so we have to consider. what is the scientific and technical knowledge but really to understand this historically we have to understand how science education is both a product and a driver of culture and what i mean by that is that any form of science education is going to incorporate attitudes and approaches towards both education and science that are kind of predominant at the time. so before we move ....
Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. Were going to see the movement of people, the same people across institutions, right, across media forums and across science. So it is all going to be kind of blending together. Also, Science Education. Obviously in Sc ....
Cold war era Science Education films, in particular ones that were made for tv and the classroom. Now, weve been talking about classroom films before. Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. Were going to see the movement of people, the same people across institutions, right, across media forums and across scien ....
Created by frank capra. This is about 45 minutes. All right. So good afternoon and welcome. Today were going to talk about cold war era Science Education films, in particular ones that were made for tv and the classroom. Now, weve been talking about classroom films before. Really to do any kind of history of classroom films you need to understand the scholarship in a lot of fields. So i will be quoting and referencing and putting together a list that ive done, work thats been done by historians of science, film studies people, Communication Studies scholars. So this will be particularly interesting. For reasons that should by now be obvious, the topic is interdisciplinarian. We are going to return to this question, what are the relationships between art, science, entertainment and clul occur. In cinema how did they reinforce one another in these particular contexts. ....