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17 Experimental Movies From the 60s
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Events - e-flux
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Amy Taubin on New York, 1962–1964: Underground and Experimental Cinema
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FIRST, WE SEE A ROOM. It is dark, too dark to make out details or even the colors hinted at in various shades of gray. There seems to be a bed and perhaps a person asleep under the covers. Just when your eyes are intent on the little that can be seen, you hear could it be? a sonic boom, a sound so loud and dense that it vibrates through your entire body. When we say a film is kinetic, we are usually describing the effect of its images on the viewer. But the kineticism of Apichatpong Weerasethakul’s Memoria is auditory. So overwhelming is its impact that it would be ridiculous to say we watched
FIRST, WE SEE A ROOM. It is dark, too dark to make out details or even the colors hinted at in various shades of gray. There seems to be a bed and perhaps a person asleep under the covers. Just when your eyes are intent on the little that can be seen, you hear could it be? a sonic boom, a sound so loud and dense that it vibrates through your entire body. When we say a film is kinetic, we are usually describing the effect of its images on the viewer. But the kineticism of Apichatpong Weerasethakul’s Memoria is auditory. So overwhelming is its impact that it would be ridiculous to say we watched