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A Labyrinth for Our Time


There is a House with 7,678 halls; in the House lives the eponymous protagonist of Susanna Clarke’s new novel,
Piranesi. The amnesiac narrator knows nothing beyond this architecture, which inhabits and obsesses him this mansion with great staircases, courtyards, and marble statuary, where, depending on the level reached, you could be in the domain of the clouds (Upper Halls), conversing with birds (Middle Halls), or plunged into an underwater ecosystem (Lower Halls). Piranesi cohabits this space with human remains, 13 skeletons whom he domesticates with names and attributes: the Biscuit-Box Man, whose small bones Piranesi finds stored in a red biscuit tin; the Fish-Leather Man, his relics articulated with fish skin; the Folded-Up Child, found arranged on an empty plinth with her chin on bent knees. ....

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Susanna Clarke's New Novel Is A Graceful, Compelling Evocation Of A Quarantined Life


Susanna Clarke’s new novel is a graceful, compelling evocation of a quarantined life
With its eccentricity, its compelling readability, and its ability to reach a satisfying conclusion, Piranesi is quite simply among the more captivating novels of the quarantined year that we have just lived through.
One of the stories in Julian Barnes’s
A History of the World in 10 ½ Chapters is about an isolated young woman who flees to a remote island because she fears that a nuclear war is imminent. Every night, she has nightmares of being confined in a room where strangers ask uncomfortable questions about her past. What is real and what is not slowly unravels during the course of the telling. ....

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