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European cinemas focus: how Denmark s Cinema Club is boosting arthouse releases | Features

European cinemas focus: how Denmark s Cinema Club is boosting arthouse releases | Features
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Peter Sølvsten Thomsen • Distributor, Angel Films

We had the opportunity to talk to Peter Sølvsten Thomsen, head of distribution at Copenhagen-based production and distribution outfit Angel Films. Our conversation revolved around the company’s business strategy, its editorial policy, the peculiarities of the Danish distribution market and the challenges posed by the ongoing coronavirus pandemic. Cineuropa: How would you describe your company’s lineup and its editorial policy? Peter Sølvsten Thomsen: Angel Films was founded as an import service of high-profile arthouse films in 1988. The first series of films we boarded was Krzysztof Kieślowski’s Three Colours Trilogy. We focused on distributing European titles, some self-produced films as well as other notable arthouse works made around the world. Today, we have a more diverse profile, except for the fact that we keep on releasing high-quality productions. At the moment, one part of the company works on arthouse titles from Europe and all over the wor

Peter Sølvsten Thomsen • Distributeur, Angel Films

Cet article est disponible en anglais. We had the opportunity to talk to Peter Sølvsten Thomsen, head of distribution at Copenhagen-based production and distribution outfit Angel Films. Our conversation revolved around the company’s business strategy, its editorial policy, the peculiarities of the Danish distribution market and the challenges posed by the ongoing coronavirus pandemic. Cineuropa: How would you describe your company’s lineup and its editorial policy? Peter Sølvsten Thomsen: Angel Films was founded as an import service of high-profile arthouse films in 1988. The first series of films we boarded was Krzysztof Kieślowski’s Three Colours Trilogy. We focused on distributing European titles, some self-produced films as well as other notable arthouse works made around the world. Today, we have a more diverse profile, except for the fact that we keep on releasing high-quality productions. At the moment, one part of the company works on arthouse

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