territory claimed by russia have been liberated. on sunday ukrainian military commander clanld the army had retaken nearly 1200 square miles in two weeks. by monday the official number had doubled. translator: from the beginning of september until today our soldiers have already liberated more than 6,000 square kilometers of the territory of ukraine in the east and south. the movement of our troops continues. the drastic jump in the news is the fact journalists are being denied access to the front lines. u.s. officials refraining from putting out numbers. they say ukrainian soldiers have pushed the soldiers back. clearly we have seen them go on the offensive in the last couple of weeks and actually regain quite a bit of territory. again, i think i ll stay out of quantifying it in too much detail but they are actually taking territory back certainly over the last two weeks during the counter offensive positions. cnn s matthew chance has more from ukraine and russia.
There s 280 of them it s pretty loud. but then there s other parts where there s 60 musicians and it s not loud enough. so, ourjob is to make sure that it should sound a little bit quieter than 280 musicians, but you should still be able to really enjoy the sound of something like that, and to amplify that to the point where it sounds like it s coming from a speaker means we ve gone too far. drumming and chanting of course, the show is also a big logistical challenge. we can t do much with physical sets because we have nowhere to store them it s a very tight space so we basically craft the look and feel of the show through sound and light. the show is described visually and sonically through the equipment we re using. obviously, what s critical is that we re telling a story. it s not just about technology, but how you use it, and this is where our designers are really good at what they do. it s notjust gratuitous use of effect.
Traditionally, there wouldn t be a loudspeaker system. - when massed pipes and drums are playing - there s 280 of them it s pretty loud. - but then there s other parts where there s 60 musiciansj and it s not loud enough. so ourjob is to make sure that it should sound a little bit - quieter than 280 musicians, but you should still be able i to really enjoy the sound of something like that, i | and to amplify that to the point where it sounds like it s coming from a speaker means we ve gone too far~ drumming and chanting of course, the show is also a big logistical challenge. we can t do much with physical sets because we have nowhere to store them it s a very tight space so we basically craft the look and feel of the show through sound and light. the show is described visually and sonically through the equipment we re using. obviously, what s critical is that we re telling a story. it s not just about technology,
So the tech must deliver without fail. technically it s a big challenge. without fail. technically it s a big challenge. there aren t that many a big challenge. there aren t that many projects a big challenge. there aren t that many projects like - a big challenge. there aren t that many projects like this. | that many projects like this. there are very few, particular in this setting. in this setting. people are -a ini in this setting. people are paying good in this setting. people are paying good money - in this setting. people are paying good money to - in this setting. people are paying good money to be | in this setting. people are - paying good money to be here, and they paying good money to be here, and they expect a quality show, and they expect a quality show, and we and they expect a quality show, and we want them to get the same and we want them to get the same experience every night, a top-notch same experience every night, a top notch experience. what a show