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It is clear and watch the video, lighting and music add to the atmosphere. the sight, the sound, smell, the movement, to be as overwhelming as it is, and to know how the technology works, but even knowing how it works, it works on my body, physically, in a way that is quite astounding. inside the control room, the ride operator monitors the gondola s precise movements, and theo is one of those responsible for working out how exactly this moving and when. 0n the computer, first, we would understand where those peaks and drops are, and we would programme that in, and we would essentially go for a ride, and we would film that ride and also speak whilst we were riding it, and we had a big digital metre on the ride, so that we could say, at two minutes ten, we need to bring this movement back, or we need to exaggerate that big drop, at three minutes then, we are going to bring that forward. the video creators also need to have intimate knowledge of how the ride moves. ....
The sight, the sound, smell, the movement, to be as overwhelming as it is, and to know how the technology works, but even knowing how it works, it works on my body, physically, in a way that s quite astounding. inside the control room, the ride operator monitors the gondola s precise movements, and theo is one of those responsible for working out how exactly this moving and when. on the computer, first, we would understand where those peaks and where those drops are, and we d programme that in, and then we d e55entially go for a ride, and we d film that ride and also 5peak whil5t we re riding it, and we had a big digital metre on the ride, so we could say, at two minutes ten, we need to bring this movement back, or we need to exaggerate. ....
On board canisters so that we can smell sea air baby lava dragon burps. it is clear and watch the video, lighting and music add to the atmosphere. the site, the sound, smell, the movement, to be as overwhelming as it is, and to know how the technology works, but even knowing how it works, it works on my body, physically, in a way that is quite astounding. inside the control room, the ride operator monitors the gondola s precise movements, and fear the air is one of those responsible for working out how exactly this moving and when. fin out how exactly this moving and when. . ., , , when. on the computer, first, we would when. on the computer, first, we would understand - when. on the computer, first, we would understand where i when. on the computer, first, i we would understand where those beaks we would understand where those peaks and we would understand where those peaks and drops are, and we would peaks and drops are, and we would programme that in, and we would woul ....
For a ride, and we would film that ride and also speak whilst we were riding it, and we had a big digital metre on the ride, so that we could say, at two minutes ten, we need to bring this movement back, or we need to exaggerate that big drop, at three minutes then, we are going to bring that forward. the video creators also need to have intimate knowledge of how the ride moves. one of the things that we start with is the ride envelope, - three degrees forward and back, pitch and roll, stuff like that, so all of those can| be a mechanical engineering things that are built - into the way that we work with our camera, even though the ride envelope, you can . trick the brain 80 why, - because even though the seat only moves a little bit down, . if we then continue the camera further down, then slow down the way that the seat moves i down and speed up the camera, you have the sense that you re i going much faster than you may actually be, or you may be - going at a steeper rate - of desc ....