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While the coronavirus pandemic sidelined them from their relentless touring schedule, Reverend Peytonâs Big Damn Band did all they could over the past year to stay actively and at work. âAt the end of this thing, I wanted to at least say we did everything we could do â we tried real hard to do everything right,â Reverend Peyton says. âSo we did. With every restriction that was imposed, we worked hard to create inside those lines. If it meant making music videos where we could only gather 10 people up, then thatâs what we did. If it meant we had to get everyone tested for the coronavirus a couple days before we got together to do our live stream, then thatâs what we did.â ....
How an old Silvertone 1484 became the foundation of this roots-guitar power player s sound. Roots-guitar badass Rev. Peyton plays with the intensity of a charging bison. That ferocity comes from his fast, hyper-accurate picking hand blended with dexterous fretting, and it gets juiced by dirty crushed-velvet tones from a variety of evocative guitars: custom Nationals and a mother-of-pearl covered Daddy Mojo, an original 1954 Supro Dual Tone prototype, a Kay Speed Demon, and more. But the foundation for his retro-modern sound is a workhorse from 1964: a Silvertone 1484 head, which drives his 2x12 Ted Weber custom cabinet. You can hear that Silvertoneârun in parallel with a 1949 Supro Supreme, its studio-only companionâon his band s new ....