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LILY SAINT - The West Must Return the Artifacts They Stole Back to Africa

30 years after declaring independence from Somalia in 1991, Somaliland can take pride in an impressive but not flawless democratisation record. Since 2002, the people of Somaliland have participated in six multi-party elections: three presidential elections (2003, 2010 and 2017) and two district council elections (2002 and 2012), but only one parliamentary (2005), and none for the House of Elders (
Guurti). At last, combined local council and parliamentary elections will take place on 31 May 2021, respectively four years and eleven years after they were due.
The repeated postponements of elections have at times caused political tensions and uncertainty. This has undermined Somaliland’s democratisation process, weakened public confidence in democracy, stalled institution-building and reforms, and damaged the country’s relationship with the international community. ....

United Kingdom , New York , United States , Metropolitan Museum Of Art , City Of , Brenda Seligman , Ralph Denham Rayment , Mary Louise Pratt , Queen Victoria , Nelson Rockefeller , Felwine Sarr , Abu Dhabi , Dan Hicks , Charles Seligman , David Adjaye , Museum Of Art , Anthropology Museum , British Museum , Benin Court , Senegal Museum Of Black Civilizations , Museum Of Primitive Art , Edo Museum Of Western African Art , Harvard University , British Foreign Office , Brutish Museum , Benin City Royal Court ,

Restitution, Repatriation, and Decolonization: What's Next For "Brutish Museums"?

Museums are having a moment of cultural reckoning.
Across Europe and the United States, museums specifically art, anthropology, ethnography, and history museums are being asked about and expected to publicly address the oft-problematic legacies of their collections as well as their institutions. As historic entities, museums are inexorably and inescapably bound up in their histories of colonialism, white supremacy, extractive capitalism, and militant nationalism. Consequently, museums are not socially or politically neutral spaces; they stabilize and reproduce certain narratives and repress others. The items that are on display in such spaces and that make up collections are now in a very public spotlight as visitors, donors, curators, politicians, and scholars try or not! to reconcile the cultural power museums wield and how objects are displayed, why, and what histories they are being used to tell. ....

New York , United States , United Kingdom , Dan Hicks , Queen Victoria , Lauren Fleishman , New York Times , British Museum , Benin City Royal Court , Pitt River Museum , British Navy , Benin Bronzes , Benin City , West African Kingdom , British Empire , Victorian Britain , Royal Court , Brutish Museums , Colonial Violence , Cultural Restitution , World Archaeology Dan Hicks , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , டான் ஹிக்ஸ் , ராணி விக்டோரியா ,