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I have taken the aspect of the who colours. it s the red, it s the white, it s the blue. and i ve programmed it in a way so therefore the content will never do the same thing twice. so you re taking down the story, you re seeing a reflection of the music, the sort of intensity, the energy that the who brings. this exhibition, though, is in many ways just a foretaste for some extraordinary and immersive new technology that could transform the way we see art and music in the future. in a neighbouring room, i get a glimpse of the world s first 3d single. grab a headset. one of these? yep. a virtual reality take on the song baba o riley. let s go for it. 0h, 0k. # i fight for my meals. oh, wow. # i get my back into my living.# ....
So therefore the content will never do the same thing twice. so you re taking down the story, you re seeing a reflection of the music, the sort of intensity, the energy that the who brings. this exhibition, though, is in many ways just a foretaste for some extraordinary and immersive new technology that could transform the way we see art and music in the future. in a neighbouring room, i get a glimpse of the world s first 3d single. grab a headset. one of these? yep. a virtual reality take on the song baba o riley. let s go for it. 0h, 0k. # i fight for my meals. oh, wow. # i get my back into my living.# all of the assets you see in this immersive single are real assets, real things. - everything you see is real. we ve just made - a virtual version of it. ....
# well, who are you? # who are you.# i have taken the aspect of the who colours. it s the red, it s the white, it s the blue. and i ve programmed it in a way so therefore the content will never do the same thing twice. so you re taking down the story, you re seeing a reflection of the music, the sort of intensity, the energy that the who brings. this exhibition, though, is in many ways just a foretaste for some extraordinary and immersive new technology that could transform the way we see art and music in the future. in a neighbouring room, i get a glimpse of the world s first 3d single. grab a headset. one of these? yep. a virtual reality take on the song baba o riley. let s go for it. 0h, 0k. # i fight for my meals. oh, wow. ....
# who are you.# i have taken the aspect of the who colours. it s the red, it s the white, it s the blue. and i ve programmed it in a way so therefore the content will never do the same thing twice. so you re taking down the story, you re seeing a reflection of the music, the sort of intensity, the energy that the who brings. this exhibition, though, is in many ways just a foretaste for some extraordinary and immersive new technology that could transform the way we see art and music in the future. in a neighbouring room, i get a glimpse of the world s first sd single. grab a headset. one of these? yep. a virtual reality take on the song baba o riley. let s go for it. 0h, 0k. # i fight for my meals. oh, wow. ....
The energy that the who brings. this exhibition, though, is in many ways just a foretaste for some extraordinary and immersive new technology that could transform the way we see art and music in the future. in a neighbouring room, i get a glimpse of the world s first 3d single. grab a headset. one of these? yep. a virtual reality take on the song baba o riley. let s go for it. 0h, 0k. # i fight for my meals. oh, wow. # i get my back into my living.# all of the assets you see in this immersive single are real assets, real things. - everything you see is real. we ve just made - a virtual version of it. as we develop it, there ll be touch, taste, smell, sound, temperature. so it s aiming to sort of really ....