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Galleries: Painter gives an eerie twist to the mundane moments of life


When an artist raves about another artist’s work, my eyes start to twitch; it’s like a reflex. Even before I’ve had the chance to look at the work, I’m itching to see it. In the past year, most of the art I’ve looked at has been through a screen darkly. It’s never ideal but any port in a storm…
Last Saturday, when I was idly wondering what to write about for today’s Herald Magazine, an email pinged into my phone from the painter Alison Auldjo, who also runs Edinburgh’s UNIONgallery. I’m lucky enough to live with a wee Alison Auldjo landscape of a darkling moon looming over a sweeping Highland glen. I know that when she gets excited about an artist’s work, it’s worth discovering. ....

United Kingdom , City Of , Blandine Anderson , Oxford Atlas , Angie Lewin , Anna Sewell , Gillian Jones , Denise Collins , International Peace Scholarship , Institute Ryerson Travelling Scholarship , Edinburgh Steiner School , Austin Museum Juror Award , Tea Party , Art Institute Of Chicago , Edinburgh Based Pen Reid , Appletree Press , Art Institute , International Peace , Ryerson Travelling Scholarship , Austin Museum , New Vacuum , Closed Sundays , Until April , Castle Gallery , Castle Street , Will Maclean ,

Ryan Lee opens exhibition of new photo-based images by Clifford Ross


Ryan Lee opens exhibition of new photo-based images by Clifford Ross
Clifford Ross Untitled, 2020. Cured inkjet on wood, 74 x 37 inches (188 x 94 cm). © Clifford Ross; Courtesy of the artist and RYAN LEE Gallery, New York.
NEW YORK, NY
.-Ryan Lee is presenting Clifford Ross: Prints on Wood, an exhibition of new photo-based images in which the artist pursues his long-standing interest in capturing the sublime in nature by printing on hand-selected maple veneer. These include stark black and white negatives of details taken from his high-resolution color photographs of Mount Sopris, as well as dramatic crops of his black and white hurricane wave photographs. The altered images, in combination with the varied color and texture of the wood as a substrate, add drama and a distinctly nonphotographic quality to Ross’s compositions, pushing his work toward the realms of drawing and painting, a return of sorts to his original media. ....

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