PEACE-MAKER
The 11th General Assembly of the 350-member International Conference of Asian Political Parties, ICAPP, concluded yesterday in the historic city of Istanbul.
We are most thankful to President Recep Tayyip Erdogan and the ruling Justice and Development Party, or AK Parti, for gracious
PEACE-MAKER
When we conceived the International Conference of Asian Political Parties (ICAPP) here in Manila on September 2000, not many people believed that it would be possible to bring together political parties, governing and opposition and with different ideologies, under one roof in a commo
[Many thanks to Peter Jordens for bringing this item to our attention.] Jessica Lenamond (
San Antonio Magazine) writes about “No Ocean Between Us:
Art of Asian Diasporas in Latin America & The Caribbean, 1945–Present,
” an exhibition exploring the effects of migration on Latin American and Caribbean artists of Asian descent. The exhibition opened on February 12, and runs through May 9, 2021. [Also see previous post Exhibition: “No ocean between us” Review.]
Open Friday, Feb. 12,
No Ocean Between Us: Art of Asian Diasporas in Latin America & The Caribbean,
1945–Present features about 65 modern and contemporary works in the form of paintings, installations, new media and more. The exhibit is organized mostly geographically, planting viewers in Argentina before traveling north to Brazil and then following the artists through Peru, Mexico, Cuba, Jamaica, Panama, Guyana, Suriname and Trinidad and Tobago.
No Ocean Between Us Opens at San Antonio Museum of Art
Published: February 12, 2021
San Antonio Museum of Art’s newest exhibit takes visitors on a geographical journey through the work of Latin American and Caribbean artists of Asian descent as it explores how migration and diaspora impact their work and experiences.
Open Friday, Feb. 12,
No Ocean Between Us: Art of Asian Diasporas in Latin America & The Caribbean, 1945–Present features about 65 modern and contemporary works in the form of paintings, installations, new media and more. The exhibit is organized mostly geographically, planting viewers in Argentina before traveling north to Brazil and then following the artists through Peru, Mexico, Cuba, Jamaica, Panama, Guyana, Suriname and Trinidad and Tobago.