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The Historical Present: Pandemic Connections in an Early 20th-Century Photo | Magazine

A discovery made while designing an exhibition reveals surprising parallels with our current moment.
Behind the curves and corners of MoMA’s
Engineer, Agitator, Constructor: The Artist Reinvented exhibition, mural-sized photographic wallpapers reveal themselves in moments of surprise. These wallpapers contextualize the early-20th-century works of art and design in the exhibition, offering glimpses of the past, inviting us to imagine what it was like to have lived in another place and time and and to envision how the worlds within those photographs shaped the artists whose works are on view.
This aspect of the exhibition’s design started out as a small archival photograph, which I scanned to make 100 times or more its original size. All of the scratches and thumbprints become amplified and larger than life, interrupting the viewer’s entry into the image. I digitally retouch these blemishes, working inch by inch in a process that takes days of detailed wor ....

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The artists who redesigned a war-shattered Europe

The artists who redesigned a war-shattered Europe
Max Burchartz (German, 18871961). Untitled (red square). c. 1928. Cut-and-pasted printed and painted paper on board. 19 11/16 × 13 9/16′′ (50 × 34.5 cm). The Museum of Modern Art, New York. The Merrill C. Berman Collection.
by Jason Farago
(NYT NEWS SERVICE)
.- Hostile times dont automatically engender great art. Lets put to rest that chestnut, which resurfaced during and after the 2016 election and which, as the presidency of Donald Trump draws to a close, is looking pretty deflated. A crisis can inspire your vision, but just as easily it can wash you out. And rising to the challenges of an anxious age takes ambition, stamina and not a little bravery. ....

New York , United States , Slovak Republic , Museum Of Modern Art , Noord Holland , Mieczyslaw Szczuka , Donald Trump , Bruno Munari , Varvara Stepanova , Vladimir Lenin , Merrillc Berman , Adrian Sudhalter , Josef Stalin , Wladyslaw Strzeminski , Maria Bri , Lydia Naumova , Anna Borovskaya , Fortunato Depero , Valentina Kulagina , Jodi Hauptman , Gustav Klutsis , El Lissitzky , John Heartfield , Kazimir Malevich , Teresa Zarnower , Yelena Semenova ,

The Artists Who Redesigned a War-Shattered Europe

The Artists Who Redesigned a War-Shattered Europe
The Museum of Modern Art debuts a transformative acquisition of Soviet, Polish, German and Dutch graphic arts from after World War I.
“The Hand Has Five Fingers,” a photomontage by John Heartfield, was the election poster of the German Communist Party in the Weimar Republic elections of 1928. The party was designated with the number 5 on the ballot, and the caption reads: “The hand has five fingers! With five, you seize the enemy!”Credit.John Heartfield and The Museum of Modern Art
Dec. 17, 2020
Hostile times don’t automatically engender great art. Let’s put to rest that chestnut, which resurfaced during and after the 2016 election and which, as the presidency of Donald J. Trump draws to a close, is looking pretty deflated. A crisis can inspire your vision, but just as easily it can wash you out. And rising to the challenges of an anxious age takes ambition, stamina and not a little bravery. ....

Slovak Republic , Valentina Kulagina , Gustav Klutsis , Varvara Stepanova , Merrillc Berman , Kazimir Malevich , Yelena Semenova , Teresa Zarnower , Wladyslaw Strzeminski , Mikhail Razulevich , Maria Bri , Anna Borovskaya , Lydia Naumova , Stedelijk Museum Amsterdam , Red Army , Museum Of Modern Art , Artist Reinvented , Modern Art , Years Without , Maria Bri Bein , Soviet Union , Russian Revolution , Entire Country , ஸ்லோவாக் குடியரசு , மரியா ப்ரீ , சிவப்பு இராணுவம் ,

Can artists change the world? MoMA show explores political art from the early 20th-century

John Heartfield s The Hand Has Five Fingers (1928), a campaign poster for German Communist Party
The Museum of Modern Art, New York. The Merrill C. Berman Collection
In moments of turmoil, what does it mean to be an artist? A quiet show of small works on ageing paper might not, at first glance, be the resounding answer that this kind of big question seemingly calls for. Then again, in a year that cannot stop shouting, the Museum of Modern Art’s (MoMA) capsule show,
Engineer, Agitator, Constructor: the Artist Reinvented, might well be the small, still voice to heed.
The New York exhibition opening this weekend heralds the addition to MoMA’s drawings and prints holdings of a core set of works from the Merrill C. Berman Collection, considered one of the greatest to focus on political art. From John Heartfield’s communist poster designs to Kurt Schwitters’s lesser-known page layouts and Liubov Popova’s splendid linocuts and collages, ....

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