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So i think that people will come to this building, where you are right now. i hope they will come for art, of course, but they may probably come also for another reason, just for the fact that it s so open, so luminous. you ve been speaking about it in the most elegant and eloquent fashion. so thank you, renzo. but i should explore this building. i ve only got a day, and i need to go and actually explore the building you ve talked about so wonderfully, so i should probably ring off, but it s kind of you to make so much time for us, thanks. thank you. thank you, alastair. thank you. enjoy. renzo s new building contains an enviable collection of international modern art, which to westerners like me, may feel familiar. but what i m hoping to discover is work by turkish artists and what it reveals about their national identity. so as the museum is making final preparations, i ve been told that there s an artis who was born in istanbul but is now based in los angeles, who s having a really
The Delhi High Court has temporarily restrained a German-based company Villeroy & Boch from manufacturing sanitaryware and other bathroom fitting products under ‘Artis’ mark after Jaquar filed a suit.
Invitation from me as an artis is to lean into this conversation and for us to all be able to laugh together an then move forward together, an to start acting questions an one of the things the word discomfort. discomfort is a word being use legally. if a student feels discomfor to what s being taught, they can choose to not have to be taught that. so we ve adde those words in a very powerful way into the show. as someone who was adopte by two white parents, you said you can code switch like no on else. i, of course appreciat that how did that then help you a you tried to craft to play wit four white protagonists? the reality is i m workin in western theater, which is white culture. so, i m translating in the contemporar indigenous experience into white culture and whit characters. my ability to code switch between those thing
The mural, completed on March 26, depicts the Bafut Palace in Cameroon, a deceptively modest centuries-old structure in the middle of a jungle, and which has served as “the fulcrum of political power for over 400 years,” according to Finley.