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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net   by Antonio Gabassi LONDON .- Henry Ward got the inspiration for his new body of work – on display in his big summer solo show ‘Baffle’ – from the gutter. Literally from the gutter. Back in 2017, looking for stimuli to kick start a new series of abstract oil paintings, be decided to make little sculptures from random stuff he found on the ground when he was walking round the streets of London, where he lives. He built up a large collection of “rubber bands, squashed toys, bent nails, bits of plastic, that sort of thing”, and then, on his kitchen table, fashioned them into ingenious little works of art. “Unfortunately, the resulting paintings were rubbish,” he remembers with a smile. Fortunately, though, the act of making the sculptures – and he produced scores of them . More

Kunstmuseen Krefeld presents Lehmbruck - Kolbe - Mies van der Rohe: Artificial Biotopes

Kunstmuseen Krefeld presents Lehmbruck - Kolbe - Mies van der Rohe: Artificial Biotopes Lehmbruck Kolbe Mies van der Rohe, Kunstmuseen Krefeld, 2021 (exhibition view) Mies van der Rohe, Lange House, 1927 – 1930, Hall. Georg Kolbe, Morning, 1925. Georg Kolbe Museum, Berlin. Wilhelm Lehmbruck, Standing Female Figure, 1910/11. Kunstpalast Düsseldorf – On longterm loan from the Friends of the Kunstpalast © VG Bild-Kunst, Bonn for Mies van der Rohe. Photo: Dirk Rose. KREFELD .- With the exhibition Lehmbruck –Kolbe –Mies van der Rohe: Artificial Biotopes, the Kunstmuseen Krefeld thematizes the interrelationship of these three outstanding protagonists of the modern era and the coexistence of architecture, sculpture, and nature. A total of 15 sculptures by Wilhelm Lehmbruck and Georg Kolbe enter into a dialogue with Haus Lange, designed by Mies van der Rohe as a country house. For the first time, the house and garden are seen as an organic system in which figurative sculpture is

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