Menopeng, Tarian Banjar Bernuansa Mistis, Ada yang Bisa Menari karena Kesurupan
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a stop to just have it all to the children of the german pavilion has been filled up with sculptures on the last two occasions all with just one in the case of the look around him and then again with voice it s a tradition i wanted to follow in short order and i must also do so he did a sculpture that was derived from african models archaic african sculptures ritual sculptures it was a figure leaning backwards with one arm raised this was misinterpreted people said ah a german artist comes and makes a statue giving a nazi salute that was total rubbish of course to that on a trip you d stay on and the school told me to hit up the people simply didn t look hard enough they d just delivered a preconceived verdict like a cliche was washing my stuff and if you have to be a champion in not looking in order to see an outstretched arm with the palm facing
say the least it was very unpleasant as. well as to not remember that as i was after this exhibition basel it s really turned against berlin and left the city i think he still doesn t like it on this. day and his family moved to the country in one nine hundred seventy five he bought dan above consul never held. his body it was kept growing by all the attributes of his ot remained abrasive and sinister in his reputation as a specific german painter. and. it is the days of a god to target so he s in this tradition he s a german painter he acknowledges his debt to the german expressionists and to auto addicts people say he embraces his ugly painting right but can you call do the ugly
about it i don t think so you can call them hush and there is certainly a certain harshness in the german art tradition have. good about and do the german a song this is the tradition in which basel it sees himself as a painter. the fourth george to the accusation of being german you have to see how you cope with that you have to ask what sort of defense you can make as that s what i did was just ask what does german painting look like. and i began where one does begin with doer and chrono in comparison with their contemporaries in italy france or england and here german painting does stand out and it stands out because it is ugly or than the others it is ugly for very definite reasons it doesn t operate on a life size scale things are reduced so there s a particular form of obstruction people are mostly placed in landscapes where they
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