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Announcing The Winners Of The 3rd Annual Public Domain Game Jam!

It's that time again — the judges' scores and comments are in, and we've selected the winners of our third annual public domain game jam, Gaming Like It's 1925! As you know, we asked game designers of all stripes to submit new creations based on works published in 1925 that entered the public domain in… ....

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Gaming like its 1925 stories at Techdirt.

Posts about gaming like its 1925 written by Leigh Beadon ....

Wassily Kandinsky , Ryan Sullivan , Paul Klee , Max Fefer Hydroforge , Felix Nussbaum , Robert Tyler , David Harris , Leigh Beadon , Great Gatsby , Analog Game , Fish Magic , Best Analog , Digital Game , Rhythm Action Gatsby , Great Gastby , Rhythm Action , Best Digital , Tabletop Roleplaying Game , Game Master , Cart Apart , There Are No Eyes Here , Best Remix , Are No Eyes Here , Deep Cut , Remembering Gru , Max Fefer ,

Announcing The Winners Of The 3rd Annual Public Domain Game Jam!

It's that time again — the judges' scores and comments are in, and we've selected the winners of our third. ....

Ryan Sullivan , Wassily Kandinsky , Paul Klee , Max Fefer Hydroforge , Felix Nussbaum , Robert Tyler , David Harris , Leigh Beadon , Techdirt Team , Announcing The Winners Of , Annual Public Domain Game , Great Gatsby , Analog Game , Fish Magic , Best Analog , Digital Game , Rhythm Action Gatsby , Great Gastby , Rhythm Action , Best Digital , Tabletop Roleplaying Game , Game Master , Cart Apart , There Are No Eyes Here , Best Remix , Are No Eyes Here ,

Game Jam Winner Spotlight: Art Apart and There Are No Eyes Here

Both games were obvious contenders for the category, and ultimately it proved too difficult to choose one over the other, because they are so intriguingly similar yet completely different. Both could be described as art puzzles , and both remix multiple public domain works, but neither clearly rises above the other.
Art Apart is the more straightforward of the two: it s just a plain old jigsaw puzzle game using a series of paintings from 1925 and a fairly unpolished interface. But while this meant our judges didn t expect much from it at first glance, it proved to be a very pleasant surprise: carefully made, easy to use, employing a great selection of paintings complemented by public domain background music, all put together with an elegance that drew people in and had them solving entire puzzles when all they intended to do was poke around for a few minutes. In the process, they got to spend some time closely examining and appreciating five paintings that entered the public ....

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