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it is laura in the studio. and it is henry in the studio. henry in the studio. today s big sto is henry in the studio. today s big story is keir henry in the studio. today s big story is keir starmer s - henry in the studio. today s big story is keir starmer s promise | henry in the studio. today s big i story is keir starmer s promise on migration. he has said cryptic things for a long time since he has been leader, yes, migration is too high, 700,000 people coming to the country is too big a number. but today for the first time in this campaign he has been clear about a commitment to get the numbers down, which, henry, is a different thing to say i think it is too high. why? because in five weeks per match time should he become prime minister, people like you and me also you made a commitment in the last general election, how have you delivered against it? i also think it is significant because of the politics. the politics are obvious, but we shall spell it out any ....
dateline london. hello and welcome to the programme that brings together international correspondents, some of the uk s leading commentators and those who file their stories for the folks back home under the headline dateline london. this week lobbying in all its forms. lobbying against and for the royalfamily, lobbying to liberate a woman imprisoned in iran, and whether those who lobby on behalf of repressive governments around the world are sufficiently regulated in the uk. joining us for dateline this week. polly toynbee, a long serving columnist for the guardian in the uk, and henry chu, deputy news editor for the la times, which means he s up when la sleeps, making sure that national news in the states is well reported. and then, when the uk is sleeping, he s probably also trying to file stories from back here, too. he never rests! with me in the studio, mark urban, diplomatic editor with the bbc s newsnight programme. welcome. let s start with the royal family. ....
dateline london. hello and welcome to the programme that brings together international correspondents, some of the uk s leading commentators and those who file their stories for the folks back home under the headline dateline london. this week lobbying in all its forms. lobbying against and for the royalfamily, lobbying to liberate a woman imprisoned in iran, and whether those who lobby on behalf of repressive governments around the world are sufficiently regulated in the uk. joining us for dateline this week. polly toynbee, a long serving columnist for the guardian in the uk, and henry chu, deputy news editor for the la times, which means he s up when la sleeps, making sure that national news in the states is well reported. and then, when the uk is sleeping, he s probably also trying to file stories from back here, too. he never rests! with me in the studio, mark urban, diplomatic editor with the bbc s newsnight programme. welcome. let s start with the royal family. ....
Lessons as the director of the National Theatre, what is it about alan bennett plays that seem to make them absolutely bullet proof when it comes to success . Dont say that well, the way alan talks through his characters is the way large audiences wanted to be talked to. They trusted what he had to say, they trusted the way he said it. Theres a kind of bond that alan creates in the way he writes, which i can always depend upon. Put the van in your drive . That never occurred to me. Such as the lady in the van, a play which they subsequently turned into a film about an eccentric old lady who inveigles her way into Alan Bennetts life. Youre not doing me a favour, you know. I have got other fish to fry. Is it true that you write about the outsider, principally . Well, i suppose it is true. But not consciously. I dont go casting about for people who arent in the charmed circle, ....
Lessons as the director of the National Theatre, what is it about alan bennett plays that seem to make them absolutely bullet proof when it comes to success . Dont say that well, the way alan talks through his characters is the way large audiences wanted to be talked to. They trusted what he had to say, they trusted the way he said it. Theres a kind of bond that alan creates in the way he writes, which i can always depend upon. Put the van in your drive . That never occurred to me. Such as the lady in the van, a play which they subsequently turned into a film about an eccentric old lady who inveigles her way into Alan Bennetts life. Youre not doing me a favour, you know. I have got other fish to fry. Is it true that you write about the outsider, principally . Well, i suppose it is true. But not consciously. I dont go casting about for people who arent in the charmed circle, ....