than liebermann at the pentagon and this cnn welcome to cnn and special coverage. if former president trump s hush money criminal trial, i m wolf blitzer in washington, along with abby phillip. who s just outside the courthouse in new york today, michael cohen, trump s former we re fixer and lawyer is back on the witness stand. prosecutors appear to have some work to do during their redirect of cohen after he made a purely stunning admission during cross-examination? today, defense attorney todd blanche was able to get cohen to admit to stealing tens of thousands of dollars from the trump organization. abby, you were inside court today? playing, how it all went down that s right. wolf, earlier in the trial during the direct examination, cohen had actually said this, that he had pocketed monday money from the trump organization. that was meant for a technology company. but today, while he was being pressed by the defense attorney todd blanche cohen agreed that it was essen
if ijust raise my eyebrows, i m making the carjump. and we look at how generative technology could revolutionise the movie going experience. it can make approximately 52 quintillion versions of the film. about 100,000 flights jet around the world every day. flying accounts for 2.5% of all carbon emissions. now, that might not sound like much, but if aviation was a country, it would be among the top ten most polluting nations in the world, and its impact is expected to rise. now, there s a global race to get clean aviation off the ground. and some companies think they re close to cracking it. pretty soon, passengers will be flying in zero emission aircraft. but how did we get here? archive: the new machine is called, optimistically, the flyer. we ve come a long way since the wright brothers first flight in 1903. that day, they lifted the world into a new dimension. then we achieved bigger, faster planes. great, but that s also how we ended up with all these emissions. jet e
at the latest ways to harness tidal energy. it s sort of like kitesurfing, but on the water. if it moves, it s a controller paul s en route towards more accessible games. if ijust raise my eyebrows, i m making the carjump. and we look at how generative technology could revolutionise the moviegoing experience. it can make approximately 52 quintillion versions of the film. about 100,000 flights jet around the world every day. flying accounts for 2.5% of all carbon emissions. now, that might not sound like much, but if aviation was a country, it would be among the top ten most polluting nations in the world, and its impact is expected to rise. now, there s a global race to get clean aviation off the ground. and some companies think they re close to cracking it. pretty soon, passengers will be flying in zero emission aircraft. but how did we get here? archive: the new machine is called, optimistically, - the flyer. we ve come a long way since the wright brothers first flight i
aviation innovation. this week, lara looks at the elemental solution to cleaning up carbon emissions from aircraft. we travel to the remote faroe islands to look at the latest ways to harness tidal energy. it s sort of like kitesurfing, but on the water. if it moves, it s a controller paul s en route towards more accessible games. if ijust raise my eyebrows, i m making the carjump. and we look at how generative technology could revolutionise the moviegoing experience. it can make approximately 52 quintillion versions of the film. about 100,000 flights jet around the world every day. flying accounts for 2.5% of all carbon emissions. now, that might not sound like much, but if aviation was a country, it would be among the top ten most polluting nations in the world, and its impact is expected to rise. now, there s a global race to get clean aviation off the ground. and some companies think they re close to cracking it. pretty soon, passengers will be flying in zero emission a
A lot of the ways that brian creates music and art are also reflected in the way we created the film, because we re not making a normal documentary where we craft each scene and, you know, time it out. we re creating kind of a structure in software that will create our film. you can think of it like this. up here, we have a pool of pre cut scenes, hundreds of hours of never before seen archival footage and exclusive interviews with eno. down here, we have an empty structure looking for pieces to fill up the slots. some parts of the film are always the same. pieces here are pinned in place, but for the rest, the software makes selections, slots them into place based on instructions from the filmmakers, and edits together a new film that it will never generate again. it can make approximately 52 quintillion versions of the film, which is 52 with 19 zeroes after it.