The conflict between the old and new is a recurring theme in most, if not all, of Bengali filmmaker Satyajit Ray’s films. Since the start of his filmography with the 1955 classic “Pather Panchali,” Ray had solely focused on crafting historical films set in the 18th and 19th centuries. He details the effects of British.
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The Supreme Court Bench comprising Justice Sanjiv Khanna and Justice S.V.N. Bhatti, has clarified that the dues of the Central Board of Indirect Taxes & Customs, Department of Revenue, will be paid as.
There was something to learn in every film, said the cinematographer of 15 of Ray’s feature films. Find out all about the learnings, in Part Two of a tribute to Soumendu Roy