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Review: UNIVERSAL CHILD CARE at Canadian Stage

With important messages for policymakers and babymakers alike, the urgent performance is part political statement, part a cappella concert, and all cri de coeur about the frustrations of being a parent when nothing is affordable and nobody cares.

Review: Universal Child Care at Canadian Stage is a cutting critique of child care in wealthy countries

The must-see production touches on the all-too-familiar struggles of parents managing prohibitive costs and long waitlists, for childcare, stigmas of parental leave, and the plight of underpaid care workers

Review: ROCKING HORSE WINNER at Streetcar Crowsnest

Tapestry Opera’s production of Gareth Williams and Anna Chatterton’s ROCKING HORSE WINNER uses a son’s desperate attempts to provide for his mother’s desire for wealth as a cautionary tale about the perils of a hunger that is never satisfied.

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