IN THE 1930S, a savvy developer embarked on a real-estate venture in Samcheong, a neighborhood in the heart of Seoul that was once home to a six-hundred-year-old village. Using modern materials for an urban update to the traditional Korean building style, the company created the Bukchon Hanok Village, a tony residential area whose narrow winding streets are now firmly on the tourist map.On Monday of Seoul Art Week, Various Small Fires hosted a reception in one of Bukchon’s hanoks, whose basement had been retooled as a viewing room for a suite of painted prints by Kyungmi Shin. Those who snuck
Featuring Kim Beom, Wang Tuo and Sancintya Mohini Simpson; interviews with Wang Bing, Cai Guo-Qiang and Sung Neung Kyung; essays on Thailand’s holy bronze men and reformulated identity politics; and much more
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