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Review | Anthony Seidman | North American Review

George Kalamaras has proved to be a formidable and unique presence in English-language North American poetry, starting from the 1990s to the present day. His work first grabbed the readers’ gaze with ....

United States , Fort Wayne , Odysseus Elytis , George Themelis , Dinos Siotis , Andrew Joron , Eunice Odio , Carlos Mart , Ray Gonzalez , Nikos Engonopoulos , Jean Calais Stephen Rodefer , George Seferis , Billy Collins , Cabato Sentora , Thelonious Monk , Lord Byron , Carl Dennis , George Kalamaras , Gene Frumkin , Rodolfo Hinostroza , Paul Blackburn , Angelos Sikelianos , Kenneth Patchen , Will Alexander , Jean Joseph Rabearivelo , Clayton Eshleman ,

Matthew Day Jackson: Against Nature

The Dungeons and Dragons Monster Manual, a book on the work of Albert Bierstadt, René Daumal’s Mount Analogue, and Roy Gallant’s Our Universe are arranged along the front desk of Pace. While these books index the aesthetics of Matthew Day Jackson’s exhibition, it is Huysmans’s Against Nature that inspired the show’s title, and its protagonist, the isolated collector of extravagance Des Esseintes, who acts as its aegis. ....

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Will Alexander's Epics of the Surreal

As one critic put it, his poetry conjured up a world built by “an ecstatic surrealist on imaginal hyperdrive.” ....

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The Invisible Prominence of SF Poetry

The magazine of the science fiction, fantasy, and horror field with news, reviews, and author interviews ....

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Bird and Shaman by Johannes Göransson | Poetry Foundation

Untitled, 1959. Art by Eugene Von Bruenchenhein. Used by permission of Rich Shapero. © Rich Shapero.
The Combustion Cycle (Roof Books, 2021), by Will Alexander, gathers three long poems written over two decades: “Concerning the Henbane Bird,” “On Solar Physiology,” and “The Ganges.” At more than 600 pages, the book calls attention to one of the great originals of contemporary US poetry, and at the same time it’s a record of something else something that has less to do with contemporary US poetry and more to do with another model of time and tradition. It feels like a record of a shamanic engagement with nature, with geological time, and, perhaps most radically, with what the political theorist Jane Bennett has called “vibrant matter,” the movement of supposedly “non-living” materials, such as metals and rocks. Alexander seems to be both the most American of poets part of several US traditions and almost not even writing in ....

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