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Review: Compartment No. 6


Titanic, it is rather hilariously revealed – with DoP
J-P Passi doing a great job of taking one back those 20-or-so years. He is also a very tender filmmaker, seemingly trying to stop himself from hugging these odd characters at any given moment and consistently delivering what some like to call “small stories with a big heart”. Borisov and Haarla are also game for a ride, slipping into relaxed performances and actually looking like they have been on a train, for a long time, with no shower or any liquid other than vodka in sight.
Unlike in
Rosa Liksom’s book, which this film is inspired by, the Russian character is much younger now, and all the better for it – older men and younger women have already had their fair share of stories, and they deserve some rest. But the relationship between these reluctant buddies remains enigmatic, making one realise how weird some of these train conversations can actually be, with strangers sharing just about everything on ....

Seidi Haarla , Jerzy Kawalerowicz , Juho Kuosmanen , Rosa Liksom , Olli Maki , Laura Seidi Haarla , Yuriy Borisov , Ljoha Yuriy Borisov , Finland Aamu Film Company , Film Company , Night Train , Cannes Competition , Happiest Day , Dopjp Passi , Aamu Film Company , Amrion Productions , ஒல்லி மாகி , பின்லாந்து ஆமு படம் நிறுவனம் , படம் நிறுவனம் , இரவு தொடர்வண்டி , கேன்ஸ் போட்டி , மகிழ்ச்சியான நாள் , ஆமு படம் நிறுவனம் ,