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Doesn t take you by the hand. i mean, for me, as long as a reaction is present, it means the mission is accomplished, right? whether you like her work or not, julia ducournau is breaking ground, shaking things up. she has become a strong, new, acclaimed voice in transgressive cinema. one documentary has been winning a big following at film festivals across north america, and it s gained many converts here at the new york film festival. it s called flee, and it chronicles the struggles of an afghan refugee trying to flee from the taliban in kabul 25 years ago. we caught up with the film maker at the telluride film festival. this unusual portrait of an afghan refugee who fled kabul in 1996 relies on animation, pop music and archivalfootage. the main character, amin, is a real person. ....
Amin is a pseudonym to protect his identity. flee s copenhagen based director has known amin personally as a close friend for a long time. it s a mess right now in afghanistan. i think it s important to kind of get some perspective on it, and amin s story happened many years ago, 25 years ago. and with this story we can kind of see what it does to a human being to be on the run, to flee, and how he can move on. so i definitely think that my film can give some perspective on what s going on right now. amin s journey from afghanistan to denmark via moscow is told in sometimes harrowing detail. it is upsetting but moving and inspiring. the director was keen to use animation. because it s really a story about trauma and memories, with animation it allows us to be more expressive, we can show things in a way that feels more true to the emotion than being realistic. ....
Years ago, 25 years ago. and with this story we can kind of see what it does to a human being to be on the run, to flee, and how he can move on. so i definitely think that my film can give some perspective on what s going on right now. amin s journey from afghanistan to denmark via moscow is told in sometimes harrowing detail. it is upsetting but moving and inspiring. the director was keen to use animation. because it s really a story about trauma and memories, with animation it allows us to be more expressive, we can show things in a way that feels more true to the emotion than being realistic. flee also has a gay theme amin is gay. closeted in afghanistan, it was an issue he has had to struggle with. it was a key part of the film. the gay story is kind of a mirror on his refugee story, because in his youth, and from his family, he had to flee his sexuality. ....
New, acclaimed voice in transgressive cinema. one documentary has been winning a big following at film festivals across north america, and it s gained many converts here at the new york film festival. it s called flee, and it chronicles the struggles of an afghan refugee trying to flee from the taliban in kabul 25 years ago. we caught up with the filmmaker at the telluride film festival. this unusual portrait of an afghan refugee who fled kabul in 1996 relies on animation, pop music and archivalfootage. the main character, amin, is a real person. amin is a pseudonym to protect his identity. flee s copenhagen based director has known amin personally as a close friend for a long time. it s a mess right now in afghanistan. i think it s important to kind of get some perspective on it, and amin s story happened many ....
Amin, is a real person. amin is a pseudonym to protect his identity. flee s copenhagen based director has known amin personally as a close friend for a long time. it s a mess right now in afghanistan. i think it s important to kind of get some perspective on it, and amin s story happened many years ago, 25 years ago. and with this story we can kind of see what it does to a human being to be on the run, to flee, and how he can move on. so i definitely think that my film can give some perspective on what s going on right now. amin s journey from afghanistan to denmark via moscow is told in sometimes harrowing detail. it is upsetting but moving and inspiring. the director was keen to use animation. because it s really a story about trauma and memories, with animation it allows us to be more expressive, we can show things in a way that feels more true to the emotion ....