likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. and what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s pretty clear that this is a bit of film magic.
it goes through repetitively and redundantly a specific set of movements. and those parameters are most likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s
repetitively and redundantly a specific set of movements. and those parameters are most likely the cause of the fact that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any
that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s pretty clear that this is a bit of film magic.
that there s only so many pieces inside of the head, if you will. hedrick also finds the props in the interview room suspicious. if i were to set up a scene and we were going to shoot a puppet, i d want something similar to this where we have limited coverage on the subject within the frame, and then we have a desk or something that enables us to get underneath it in order to puppeteer it. what about the lighting? ostensibly the alien is sensitive to light. it s kept dark for the comfort of the aliens. it s a low-light situation, but it s still lit. and as a matter of fact, the one light that we do have is directly on the alien s face and eyes. now, if it was sensitive to light, we could have shot this with infrared or something. as a concept, it s very cool. but i think to just about any working effects artist, it s pretty clear that this is a bit of film magic. broadstreet s documentary,