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A new installation now on view at the Yale University Art Gallery, developed in consultation with Yale School of the Environment scientists, focuses on 19th century paintings that show deforestation and the changing landscapes in the U.S. during the industrial era. ....
When he learned of the threat that rising sea levels posed to his coastal hometown of Miami, Florida, eco-artist Xavier Cortada founded a movement around beautifully designed elevation markers highlighting the risk of flood damage. The collaborative art project quickly mobilized action and excited some controversy. Watch as Cortada offers a creative vision of community organizing inspired by art that engages, educates and empowers. ....
With the promotion of sustainable practices at the forefront of these grants, there were 22 projects awarded funding throughout the fall, spring, and summer application cycles. ....
Inspired by European impressionist paintings of open countryside, private gardens, and urban parks, American artists working in the years between 1887 and 1920 turned their attentions to the new landscapes being created in the fast-changing cities and rapidly emerging suburbs of their own country. Up and down the eastern seaboard, a middle-class idyll was brought to life with the construction of railways, trams, and parkways that connected city centers to commuter suburbs, whose inhabitants increasingly turned to gardening as a leisure and predominantly female pursuit. The two arts of painting and garden design are closely related, landscape architect Beatrix Farrand wrote in 1907, except that the landscape gardener paints with actual color, line, and perspective to make a composition . . . while the painter has but a flat surface on which to create his illusion. ....