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Josephine Berry
As Net Art has begun to shrug off its ghetto character and step into the revealing light of mainstream culture, it finds itself
increasingly subject to accusations of institutional complicity, technophilia, neo-liberal social engineering, even racism.
When Net Art first emerged in the early 90s, it was often identified as a defiant art form which targeted the nepotism, materialism
and aesthetic conformity of the gallery/museum/publishing power complex. It was hailed as an art glasnost which, for the
first time since the cold war, was forging a truly international art movement. Thanks to the efforts of the extravagantly ....

United States , Tiziana Terranova , Irina Aristahrkova , Coco Fusco , George Soros , Alexei Shulgin , Heath Bunting , Faith Wilding , Donna Haraway , Maria Fernandez , Dolia Lialina , Society Foundation , Microsoft Co , Anet Art , Open Society Foundation , Eastern Europe , North American , Western European , Russian Net , Emergent Medium Net Art , Walker Art Gallery , Cyborg Manifesto , West Coast , Bodies That Were Not Ours , Graphic User Interfaces , Agatha Appears ,