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Adishakti gears up for the Remembering Veenapani festival

Adishakti gears up for the Remembering Veenapani festival
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English Play: English play to be staged Mangaluru: The Ranga Adhyayana Kendra and Kannada department | Mangaluru News

The Ranga Adhyayana Kendra and Kannada department, St Aloysius College, in association with Astitva and Arehole Pratishtana, will stage ‘Bhoomi’, an English play directed by Vinay Kumar, on Friday. It will be staged by Adishakti Theatre Arts, Puducherry. This play is one of the most acclaimed theatrical performances of Adishakti, and it is a renowned theatre company raised in Puducherry by Veena Pani Chawla, a creative theatre thinker, researcher and stage director. Entry is free.

Vivek Jaitly: Multi-tasking helped me survive in the industry

Twelve years after Vivek Jaitly reached Mumbai with acting dreams, he got his first theatrical release earlier this month. Having done multiple theatre, TV shows, voice-overs, radio, modelling and music videos he says that this was just his learning period. | Bollywood

Rohit Raaj is overwhelmed to shoot for his Bollywood debut film Mystery of the Tattoo

Mumbai (Maharashtra) [India], April 19 (ANI/NewsVoir): Bollywood is not just a medium of entertainment but is one of the most loved film industries in the world. Year after year, we have witnessed new-age artists leaving a remarkable mark in the industry. Living his dream, debutant actor Rohit Raaj is set to enter Bollywood with the film 'Mystery of the Tattoo'.

Like a babushka doll: A review of Bhoomi , Adishakti s new play

A scene from the premiere of ‘Bhoomi’.   | Photo Credit: Revanth Vojjala Layer by layer, the play shifts planes, changing mood and tone, throwing up questions that demand answers, problems that demand a solution Utsav met Damini, or in theatre terms, Rabindranath Tagore met Vijay Tendulkar on stage on April 10, when Adishakti Theatre Arts opened its latest play, Bhoomi, to launch the Remembering Veenapani Festival 2021. Directed by Vinay Kumar, who also created the musical pieces, the play weaves together mythology and reality, past and present, humour and anger, to create a pattern quite distinct from what one has come to expect from Adishakti.

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