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Adele Thomas s problematic new Il trovatore is saved by Pappano s conducting and Rebeka s Leonora – Seen and Heard International

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Il Trovatore | Opera News

Il Trovatore | Opera News
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Il trovatore review – cruelty played out with anarchic imagination

Adele Thomas’s visually arresting production mixes levity with tragedy, as fervent orchestral play is matched by expressive singing from a fine cast

Il trovatore review — Verdi goes to Hell in a messy but moreish show

In the great buffet of operatic classics, Verdi’s 1853 drama is the big slab of red meat. And, in a world going increasingly vegan, it’s also becoming a problem. The music is hit after hit, but with no pauses for breath, characterisation or narrative cogency. It’s curses, revenge, suicide, torture, love, death; all neatly divided into two equally unwieldy 75-minute chunks.

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