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All fall down | The New Criterion

Northern Ballet: Generations; Maud Le Pladec: Twenty-Seven Perspectives – review

Review: GENERATIONS: THREE SHORT BALLETS, Linbury Theatre, Royal Opera House

A haunting masterpiece: Northern Ballet s Adagio Hammerklavier reviewed

One could soundly advise any choreographer to avoid music so transcendentally great in itself that dance can add nothing except banal images. Only a handful of exceptions sneak past the rule: MacMillan’s setting of Song of the Earth, perhaps, and also Hans van Manen’s Adagio Hammerklavier, his audacious attempt to visualise the infinitely slow movement

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