takes place in third world countries and banana republics. israel s military says it has effectively split gaza in two saying it hit a50 targets in the last 2a hours and seized a hamas military compound. the hamas run health ministry says more than 10,000 people have been killed in gaza since the war began. the us secretary of state has just wrapped up a diplomatic visit to the region, focused on trying to find peace. 0ne one other headline: coming up here in the programme, barbra streisand releases her autobiography and talks to us about her stellar career, those who try to sabotage her, and what she wants now. i those who try to sabotage her, and what she wants now. those who try to sabotage her, and what she wants now. i have not had much fun in what she wants now. i have not had much fun in my what she wants now. i have not had much fun in my life. what she wants now. i have not had much fun in my life. to what she wants now. i have not had much fun in my life. t
this week, we re revisiting the tech that we ve seen used in and around the world of art. and the first question i have is, what is lara thinking right now? do i like it? does it make me feel happy, sad? ammie s gone to town to test the newest, oldest cameras we ve seen for a while. paul heads to florence to see how tech is revealing a 17th century artwork. and we re on the stage helping musicians get used to what it feels like to get a standing ovation, or a slow clap. how did it do that? the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be
the v&a london, home to 145 galleries of works from across the globe, spanning 5,000 years of art. museums like this are always looking at new ways to engage audiences. one idea here to see how our brains react to what we re seeing. we often talk about how art makes us feel or what it gets us thinking about. well, today it s time for a way of quantifying that. so we re just going to put this on your head here. 0k. just goes behind your ears. this muse headset, which would more commonly be used as a meditation device, has been repurposed to translate brain activity into a real time 3d visualisation. and this has four eeg sensors. that s right, four sensors that are on your forehead and picking up the electromagnetic activity off your brain. 0k. and what does that mean its going to learn from me? it s going to take this raw data right off your headset. 0ur set up processes it in lots of different ways, which kind of indicate sort of what your brain s doing when you re looking
don t know. i mean, it s a good question. i think understanding why a jury reaches a verdict is something that every single trial lawyer in the country would love to be able to answer honestly look, a lot goes into a jury verdict that doesn t even include what happened at the trial. the decisions that are made before the trial, the decisions that the court makes, and that the parties decide about witnesses a call, what evidence to put in i think that at the end of the day it remains true that if the word of michael cohen was not accepted at all, then you could not have convicted president trump. and the jury convicted. so at the end of the day they they looked past what we thought were were fatal flaws and mr. cohen s story and his past and they ve reached a guilty verdict right. but it wasn t just the word of michael cohen. i mean, there was other evidence in this case, the documents they wanted to rehear, david pecker s testimony. i mean, they took all of that into consid