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Why Peter Kingston, master of Sydney Harbour art, changed course

Why Peter Kingston, master of Sydney Harbour art, changed course We’re sorry, this service is currently unavailable. Please try again later. Dismiss Opinion Normal text size Before seeing Peter Kingston: First Light at the S H Ervin Gallery, I was reminded that the late Giles Auty once compared “Kingo” to Raoul Dufy (1877-1953). Although I would hesitate to endorse most of Giles’ observations about art and life, he may have been onto something. Although the Frenchman commands a place in the pantheon of modern art, he left a body of work that is generally held to be light, colourful and whimsical. While his idol, Matisse, could make a masterpiece from the simplest of subjects, Dufy could never exorcise the demon of the decorative.

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