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Every St. Vincent album comes with a fresh concept and persona. On 2014′s St. Vincent, singer and shape-shifter Annie Clark was a near future cult leader. On 2017′s Masseduction, she was like a dominatrix at a mental institution, pealing off wicked guitar solos while done up in latex and high heels. With Daddy s Home, Clark time-travels back to 1970s New York. She s calling the new aesthetic Gena Rowlands in a Cassavetes film, evoked in a color palette of the world of Taxi Driver. Musically, that means touches of early 70s Stevie Wonder funk and swirling Pink Floyd prog, hard-hitting horns on the opening Pay Your Way In Pain, and gauzy interludes on several tracks that turn into drifting mood pieces. She continues to work with New Jersey producer-to-the-stars Jack Antonoff also a go-to guy for Taylor Swift, Lorde and Lana Del Rey, among others.

New yorkUnited statesNew jerseyThomas morganDan delucaTaylor swiftEthan johnsMichael kiwanukaGena rowlandsMat maneriAmbrose akinmusireTony joe whiteLana del reyDan weissJack antonoffStevie wonder