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The UK s Kraszna-Krausz s Book Awards 2021: Shortlists and Longlists

The annual awards program in photography and moving image books is to announce its winners on June 1 and 3. ‘Untitled (Sosa With Orange Hula Hoop),’ 2019 by Tyler Mitchell, from the longlisted ‘I Can Make You Feel Good’ by Tyler Mitchell, from Prestel Publishing. Image: Provided by Kraszna-Krausz Photography and Moving Picture Book Awards ‘A Reflection of Contemporary Society’ As Publishing Perspectives readers will recall, the Kraszna-Krausz Foundation was formed in 1985 by the late Hungarian photographer Andor Kraszna-Krausz the founder in 1938 of the Focal Press, an imprint of Taylor & Francis/Routledge based in media tech books. Its 2021 Photography Book Award and Moving Image Book Award shortlists have been announced today from London (May 4). Winners are to be named on June 1 and 3, in association with London’s The Photographers’ Gallery near Covent Garden.

UK: Kraszna-Krausz s Book Awards 2021: Shortlists and Longlists

The annual awards program in photography and moving image books is to announce its winners on June 1 and 3. ‘Untitled (Sosa With Orange Hula Hoop),’ 2019 by Tyler Mitchell, from the longlisted ‘I Can Make You Feel Good’ by Tyler Mitchell, from Prestel Publishing. Image: Provided by Kraszna-Krausz Photography and Moving Picture Book Awards ‘A Reflection of Contemporary Society’ As Publishing Perspectives readers will recall, the Kraszna-Krausz Foundation was formed in 1985 by the late Hungarian photographer Andor Kraszna-Krausz the founder in 1938 of the Focal Press, an imprint of Taylor & Francis/Routledge based in media tech books. Its 2021 Photography Book Award and Moving Image Book Award shortlists have been announced today from London (May 4). Winners are to be named on June 1 and 3, in association with London’s The Phographers’ Gallery near Covent Garden.

Dark Mofo: Tony Albert and Reko Rennie among artists demanding change at Mona

Dark Mofo: Tony Albert and Reko Rennie among artists demanding change at Mona
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Blak like me: how Destiny Deacon used art to shout back at racists

Blak like me: how Destiny Deacon used art to shout back at racists By Andrew Stephens Normal text size Advertisement When Destiny Deacon was growing up, she often heard white people calling out, “You little black c -s”. Years later, in a simple but powerful act of defiance, she decided to take the “c” out of black, calling one of her photographs Blak lik mi. The following year, in 1991, she staged an exhibition of the same name. Destiny Deacon, Blak lik mi 1991, lightjet photograph from Polaroid photograph. Credit:© Destiny Deacon “Blak – meaning specifically Australian Indigenous people – started to get used more widely and now it’s everywhere, right across the board,” Deacon says. “Art, music, theatre, dance. I’m glad the Indigenous community is using it and that I get acknowledged for it.”

Blak like me: how Destiny Deacon used art to shout back at racists

Blak like me: how Destiny Deacon used art to shout back at racists By Andrew Stephens Normal text size Advertisement When Destiny Deacon was growing up, she often heard white people calling out, “You little black c -s”. Years later, in a simple but powerful act of defiance, she decided to take the “c” out of black, calling one of her photographs Blak lik mi. The following year, in 1991, she staged an exhibition of the same name. Destiny Deacon, Blak lik mi 1991, lightjet photograph from Polaroid photograph. Credit:© Destiny Deacon “Blak – meaning specifically Australian Indigenous people – started to get used more widely and now it’s everywhere, right across the board,” Deacon says. “Art, music, theatre, dance. I’m glad the Indigenous community is using it and that I get acknowledged for it.”

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