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National School of Drama moulds your personality, says actor Zakir Hussain

Express News Service You saw him as Inspector Chougale in Black Friday, JD in Fool n Final, Sajid Don in Ajab Prem Ki Ghazab Kahani, Prakash Rao in Singham Returns, Patil in Badlapur and most recently as Giriraj Shastry in SonyLIV web series, Sandwiched Forever. In all these characters, though each is different from the other, actor Zakir Hussain always leaves an impact on the audience.  “My character Shastry is a plant scientist, a very simple man who is totally involved with the flora, so much so that he even has names for them like Faiz, D’Costa, etc. But while Shastry is in love with plants, he is always at loggerheads with his wife,” says Hussain, about his ongoing series. The role was not difficult because “we Indians have a special relationship with plants”. 

How 2021 will fare for performing arts in India?

How 2021 will fare for performing arts in India? ​ By Siddhi Jain ( IANS) | Published on ​ Sat, Jan 2 2021 0:12 IST | ​ 0 Views How 2021 will fare for performing arts in India?.. Image Source: IANS News New Delhi, Jan 2 : The trials and tribulations of 2020 propelled many to seek refuge in the comfort of a favourite song, the upbeat rhythm that came from a dance sequence, or the much-needed break that came to our screens in the form of digital theatre. While the past year saw increased, especially online, activity for these performing arts, what does 2021 have in store? Dance Priya Venkataraman, Bharatanatyam Dancer and choreographer, says, 2020 saw a surge in online performances and classes. This allowed me as a dancer to connect to students worldwide. I see this trend continuing through to the majority of next year while the established and senior artists will return to the stage with limited audiences. Online platforms & festivals are here to stay as they off

Astad was a genius who could never sit still : Dadi Pudumjee | Eye News,The Indian Express

‘Astad was a genius who could never sit still’: Dadi Pudumjee Puppeteer Dadi Pudumjee recalls how the inimitable Astad Deboo revolutionised the way the world saw Indian contemporary dance and brought music to the deaf December 13, 2020 6:30:13 am When on stage, Astad could create certain emotional states and take the audience with him. I first met Astad Deboo in 1981 when I was at the Shri Ram Centre for Art and Culture in Delhi, running the Sutradhar Puppet Theatre. He had come with a group of friends who were supporting him in doing up his sets and lighting. After that, we met off and on, when he performed in Delhi or I in Mumbai, where he was based.

Sunday Long Reads: Rashtrapati Bhavan s kitchen, legacy of dancer Astad Deboo, India s toy start-ups, and more

Men will be boys : Rashida Jones and Bill Murray Is there a couple, anywhere on the planet, which doesn’t experience a sense of drift some years into cohabiting? Being joint at the hip is automatic in the initial rosy period, with partners bereft when apart even for a few hours. But things change. Before you know it, you’ve clocked a few anniversaries, added a member to the family and the little person is sucking up all your energy, not to mention your waking hours, and hey, ho, romance is out of the window. Sofia Coppola doesn’t waste any time building preambles in her latest, On The Rocks, streaming on Apple TV. Could Laura’s husband Dean be involved with another woman? He’s a textbook case of “men with other things on their mind”: suddenly turning ultra-busy at the office, being too touchy-feely with a stunning colleague, keeping phone chats private, and, that most suspicious thing of all, work trips where said colleague comes along. Could the marriage, not to put

Dil Bechara director Mukesh Chhabra talks about his journey in the film industry

‘Dil Bechara’ director Mukesh Chhabra talks about his journey in the film industry The casting director also gives his take on the concept of colour blind and inclusive auditions If this new and exciting world of content-driven Hindi cinema and OTT content is today looking beyond and posing a serious threat to the starstruck Bollywood, one man who has been among the changemakers is casting director Mukesh Chhabra, who turned director this year with the Sushant Singh Rajput starrer Dil Bechara. Chhabra, who set up his own casting company in 2008, was the man behind the casting of movies like Kai Po Che that saw Bollywood debut of Sushant Singh Rajput and Rajkummar Rao, and the cult classic, Gangs of Wasseypur, a film that brought some of the biggest talents of today’s cinema like Nawazuddin Siddiqui, Pankaj Tripathi, Jaideep Ahlawat and Vineet Kumar Singh under spotlight, not to forget the stellar casting of the Dangal girls. More recently, his ensemble casting for t

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