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Tucson Weekly: Presidential Poison (January 7 - January 13, 1999)

Tucson Weekly: Presidential Poison (January 7 - January 13, 1999)
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: Small World (July 1 - July 7, 1999)

Tucson Weekly: Small World (July 1 - July 7, 1999)
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: The Year In Review (December 30

Tucson Weekly: The Year In Review (December 30
tucsonweekly.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tucsonweekly.com Daily Mail and Mail on Sunday newspapers.

Tucson Weekly: Rock On! (January 15 - January 21, 1998)

Longtime Artist Friends Finally Stage A Group Show At Davis Dominguez Gallery. By Margaret Regan FOLLOW THE ROCKS in the new Mini Blockbuster show at Davis Dominguez Gallery. If you read them right, they tell the story of a longtime relationship among three pioneering artists up at Oracle s Rancho Linda Vista. James G. Davis has painted a big gray boulder set against a blue-green landscape in Friends, an oil on paper. The rock is the backdrop for two men affectionately posing arm in arm. You ll find the same rock, a half-circle flattened out on the bottom, in Bruce McGrew s Colorado Pond, an oil on canvas.

Tucson Weekly: Arts Round-Up (December 31 - January 7, 1998)

The Best And Worst Of The Local Arts Scene In 1997. By Margaret Regan ONE OF THE best moments in the whole art year took place in its earliest weeks. Liz Lerman s Dance Exchange had come to town in January, and worked intensively with local groups to incorporate them into a professional performance at Centennial Hall. After weeks of rehearsals, old Mexican-American women from El Rio Neighborhood Center, Jewish mothers and children from the Hebrew Academy, gay activists and even Ken Foster, head of UApresents, joined Lerman s troupe onstage for Still Crossing, a dance about immigration and nationhood. It was a performance at once solemn and joyful. Its best moment,

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