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Ethan Hawke y John Leguizamo protagonizarán en línea Esperando a Godot
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Oscar-winning actress Lupita Nyong o has already seen much success with her debut children s book,
Sulwe, including it bestseller charts, winning an NAACP Image Award, and receiving a Coretta Scott King Illustrator Honor for its art by Vashti Harrison.
The next step, though, was recording an audiobook in a way that matched the gorgeous story about a girl named Sulwe who goes on a magical journey in the night sky that helps her learn to appreciate her dark skin. Vashti added so much life and detail with the pictures. So her illustration was very influential in what soundscape we added to the audiobook, Nyong o tells EW.
I AM NOT YOUR PERFECT MEXICAN DAUGHTER Audio Adaptation Announced
Featuring a new soundscape by sound designer Matthew Chapman, the majority of the original cast is returning for the new 90-minute incarnation.by BWW News Desk
Now streaming in more than 500 cities, 50 states and 20 countries, the Steppenwolf NOW virtual stage is continuing to bring Chicago theater to a global audience. Steppenwolf has announced a new offering joining the virtual lineup-the world premiere audio adaptation of I Am Not Your Perfect Mexican Daughter, based on the book by Erika L. Sánchez and adapted for audio from the stage play by acclaimed playwright Isaac Gómez and co-directed by ensemble members Sandra Marquez and Audrey Francis. A Chicago story about family, community and coming together even when that feels impossible, this New York Times bestselling novel is written in the first-person narrative, which translates beautifully into a deeply personal, journal-like audio experience.
Tickets: Free First there was a virtual puppet version of Leo Lionni’s mouse-centric children’s book “Frederick,” narrated by actor Michael Shannon (a brilliant choice going against type), followed by an adaptation of author Brian Selznick’s “Doll Face Has a Party,” directed by Selznick, and “My Magic Breath,” in which animated storybook illustrations were accompanied with music performed by Chicago Symphony Orchestra musicians. Russell also felt it was a time to take some risks, to expand beyond the usual concept of theater for young audiences, which mostly revolves around adaptations of popular children’s books. She notes these books are “wonderful,” but adds, “they are maybe not the most edgy.”
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