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Renée Elise Goldsberry and Brian Stokes Mitchell Will Perform as Part of Broadway in the Park at Wolf Trap s Filene Center
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Concert Review: Christian Douglas at Strathmore Music Center, Patio Stage
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Strathmore’s new Patio Stage is a covered, open-air venue on the Music Center’s Trawick Terrace. Photo courtesy of Strathmore.
Full season of concerts kicks off at the new Patio Stage on the Music Center’s Trawick Terrac
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Opening May 30 with jazz icon Wynton Marsalis and the Jazz at Lincoln Center Orchestra Septet, Strathmore’s new 120-seat Patio Stage will be the place to gather comfortably this summer for live music. The covered, open-air space will be located on the Music Center’s Trawick Terrace. Tickets will be sold as pods with tables that sit 1–4 people to allow for physical distancing.
The songs speak volumes in
Midnight at the Never Get (★★★★☆), expressing feelings that crooner Trevor Copeland (Sam Bolen) and pianist Arthur Brightman (Christian Douglas) might otherwise never admit to themselves, each other, or the world. Arthur writes the songs and Trevor sings them, but both of their stories, and an era of LGBTQ history, flow through their fateful collaboration.
The musical conceived by Bolen, writer/composer/lyricist Mark Sonnenblick, and Max Friedman, who directed the original Off-Broadway production depicts a version of Trevor and Arthur’s partnership as Trevor remembers it. His memory often fails him, as he regales his audience at the Never Get, a backroom boîte in Greenwich Village, with a tale of love, loss, and, he hopes, reunion.
Published May 3, 2021 Christian Douglas as Arthur and Sam Bolen as Trevor in Midnight at the Never Get. Photo by Christopher Mueller, courtesy of Signature Theatre
The premise is deceptively simple. It is a cabaret show about the fabulous and dramatic lives of a songwriter and a performer at the close of the golden age of Broadway. The performer awaits his lost love in a shadowy, gilded nightclub. The fact that the love is also a man keeps the “theater about the theater” trope from going stale. The audience should sit back and expect entertainment, interaction, strife, and ultimately, persevering love.
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