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Planning season around uncertainty a challenge, symphony music director says
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After releasing their acclaimed
“post-punk and shoegaze opus” by Rebel Noise) via
Northern Light Records (which has released albums from Actors, Black Ferns, Leathers, Rev Rev Rev, and more), Montréal-located post-punk/shoegaze outfit
The City Gates returns with their highly anticipated LP
Age of Resilience, out officially on June 9th on their own imprint,
Velouria Recordz in collaboration with
Icy Cold Records.
The City Gates’ sound draws influences from the ’80s and ’90s alternative music scene, with the band members favoring groups like The Jesus and Mary Chain, The Chameleons, The Sisters of Mercy, Slowdive, Sonic Youth, and Love and Rockets.
Cancon music aficionados are celebrating the 50th anniversary of Canada’s Juno Awards. Known variously in Juno history as “Best Single,” “Best Selling Single,” and now “Single of the Year,” this award always garners attention.
The Junos and sometimes controversial Canadian content regulations came into being at around the same time to promote Canadian culture to Canadians. Whatever the award’s name, the winning song emphasizes Canada’s place on pop music’s world stage. Reflections on these songs, both personal and historical, make the music even more compelling. Here’s a look at earlier years.
‘Can’t Feel my Face,’ The Weeknd (2016)
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