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Blaze Bayley Is Focusing On The Good Side Of Being At Home While In Quarantine
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Queensrÿche s Todd La Torre: I Hate The Music Business
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Vivian Campbell, and recorded the debut
DIO album, the now-classic Holy Diver . Asked in a new interview with Metal Express Radio if he and his bandmates felt any pressure making their first LP after he and
Ronnie exited
SABBATH,
Appice said (see video below): No. As a matter of fact, it was all fun. We were nuts. We did all this work at
Sound City [studios], and they let us destroy the building. They had games like pinball games and we used to open em up and put things in there so you never lose the ball, and wrecked the soda machines and the candy machines. They let us do everything we wanted to do in there. It was kind of like every night at seven o clock that s when we started it was boys night at the boys club. We d go over there and smoke pot, and they d make drinks and we would write and create. There were never any songs written; we did everything in the studio. And it was just a great, great happy time. And we didn t think twice about, This has gott
The cells tick away.
Back in 2012, that cinematic track closed only one story: the dystopian narrative that flows through the LP. Listening now, one year after Neil Peart s death from brain cancer, the words inevitably carry more weight an almost prescient sense of finality, both for Rush and the drummer and lyricist himself. The Garden, like the rest of
Clockwork Angels, arose from Peart s desire to create a fictional world with his words. The prog-rock trio had gone conceptual before on specific songs, including 2112 and the two-part Cygnus X1, but never across an entire album. And inspired by the futuristic steampunk style of his sci-fi novelist friend Kevin J. Anderson (who would later co-author a book expanding on this very project), he created a story set in a world lit only by fire.
The cells tick away.
Back in 2012, that cinematic track closed only one story: the dystopian narrative that flows through the LP. Listening now, one year after Neil Peart s death from brain cancer, the words inevitably carry more weight an almost prescient sense of finality, both for Rush and the drummer and lyricist himself. The Garden, like the rest of
Clockwork Angels, arose from Peart s desire to create a fictional world with his words. The prog-rock trio had gone conceptual before on specific songs, including 2112 and the two-part Cygnus X1, but never across an entire album. And inspired by the futuristic steampunk style of his sci-fi novelist friend Kevin J. Anderson (who would later co-author a book expanding on this very project), he created a story set in a world lit only by fire.
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