A little over month ago, I found myself traveling to rural Anhui province. Coal+Ice, the documentary photography exhibition I had produced for Asia Society, had been invited to exhibit at the Yixian International Photography Festival. Logistically, this exhibit proved a daunting feat. Fifteen massive crates of photographs were driven all day from Beijing to Pingshan Village, where the power of ten men would carry each crate 500 meters down a rocky hill to the exhibition space, an ancestral hall that dates to the late Ming dynasty. I calculated our exhibition’s wattage needs and we borrowed electricity from the farm next door. Five villagers became our art handlers. We had only one week to install. On the day before the opening, we still had about two more hours of installation ahead of us when we discovered the festival had been “postponed” by the county government.