blake. i played violin since i was five and then switched to be a lot it's always been the amazing music that you get to play with so many amazing people and get to travel everywhere and so it's always been so truck there so i have had this passion for it so long and then at some point i guess i couldn't do anything else. this festival has so much kind of hype it's like a big festival it's a big thing so it's kind of it's really great for us to get to come here and play and like several years in a row we get to come here and that's very exciting to come back in play for this audience because it's always a packed hall and it's so much like energy from the audience as well. yes. a lot. of a way. forward. to. the. third. the. world. world. will say. a. way. out. the first place on the scale of the sale . it's really amazing to play with this many young musicians it gives me a certain fire. ired brings me back to my degrees me back to towns where i felt foreigner but where i was scared where i was afraid and i empathize with them it also brings a certain excitement back that i remember and i sort of adopt it from my life right now so it keeps me on. through our. her in my own jazz is in essence an extension of the national youth orchestra program turning did was we took the audition process from n.y.u. and we adopted it to a jazz ensemble and so there are sixteen different states represented with twenty two wonderful young musicians that have come together through an audition process that includes musicianship and interview to represent the best of the united states and jazz around the country. music is very important for young people not just because i'm a music book for what it means and humanity on it brings out the best in us they're able to use notes and sounds silences to express themselves to express the height of their emotion the depth of their emotion and also hope some understanding a certain level of discipline that other ways of getting disappointed may not be there for them so it's very important. that. you know why some are good for any musician it was to be a professional at what they do is to believe that. you can practice all day you can learn the notes you can learn the theory but if you don't believe that your voice is worth sharing with the world it doesn't mean anything believe in it. let. let. let. let. let. let. let. let let. let. let let. let . look look look look look look look for. let. live. look look look look look look look look. look look look look. look look look look look. look look. look. look look. look . click. click click. click . my name is schmidt i'm a cellist from cork in argument and i'm currently based and disappear from study but i are dition for you iow six years ago. you know. a lot. you i always with i was at dave's an invaluable tool for training young musicians who hope to become professionals. we will behold he said if you do something wrong you. know i think if so it was for you. all that just because while having the opportunity to work with some of the whereas best conductors and best soloists in these incredible concert halls is absolutely invaluable. when. you just want to. also learning how to tour and how to deal with tori life being on the road today for instance we just flew in this morning from warsaw where performing here tonight before i'm there last night tomorrow morning we had to. and that's real life as an arkansas musician so you also have to deal with you know balancing your time and energy and yeah but i feel really extremely privileged to have the opportunity to be a part of this ensemble many people have described as the best possible investor of the e.u. the one piece in europe we want to work together we want the future to be a safe place for everyone i think that's that's what we stand for. i'm. ok. to. live. the be. the be. the be. the bad . publicity. thank you. he was a prolific. and us citizen of the world. peter paul rubens one of the most 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