♪ to the man that's made a difference in my world ♪ - female mcs wasn't a pop cultural phenomenon, really, until salt-n-pepa. and that blew the doors off of it. - ♪ what a man, what a man, what a man ♪ ♪ what a mighty good man ♪ - ♪ he's a mighty, mighty good man ♪ - it opened up the door for people to go, "well, who else are females and rapping? oh, here's's that mc l lyte." - ♪ gotta getet a roughneneck♪ ♪ gotta w what, yo? gogotta get a a roughneck k♪ ♪ i neeeed it and i i want i, so i gototta get ♪ - ♪ w who you calalling a biti♪ - ♪ h here we go o ♪ - "oh, w who's thiss queeeen latifah h girl?" and then l later on, "oh, w who's this s missy?" - - ♪ oh, missy,, try y to maintaiain ♪ - they werere respected as artisists. ththey didn't have to shshake by or w wear a low-cut blblous. it chahanged the w way we v viewed thinings. - ♪ i c can't standnd the ra♪ - to me,e, the e best two f female mcss to come out t of the '9090s are e missy elliliott and d lauryn hilill. - ♪ since you were looking for your friend ♪ ♪ the one you let hit it and never called you again ♪ - how do you see the role of women in hip-hop?