those residents. that extraordinary. it makes you wonder and you would have thought that the local authority would have some kind of emergency response strategy in place for and clearly this was an extraordinarily awful incident but you would think they would have some kind of sport —— this book response. that's for a national commission, that will be really important. this must never happen again. one more misstep and that desert. we have about 30 seconds. that fantastic picture on the telegraph. the lions deidre dream after thrilling win against the all blacks. either of you watch this game? i don't —— i didn't, to screaming children to do with this money. nobody gave him a chance. it said the fantastically for next week. one more game in the series. dare to dream. dear to win. thank you. thank you to my guests. you'll both be back at 11.30pm for another look at the stories making the news tomorrow. coming up next, the film review. hello and welcome to the film review on bbc news. to take us through this week's cinema releases is mark kermode. 50, mark, what do we have this week? a mixed bag this week. we have a man called ove, which is a portrait of a grumpy old man. we have despicable me 3, the minions are back. and risk, a documentary. lots to talk about but my most important role this week is to get the pronunciation right of a man called ove. it seems to be "over". that is the closest. it is adapted from a bestseller and the blurb says, it will make you feel a new sympathy for the curmudgeons in your life. the tag line on the movie poster is, you will love him as much as he hates you. ove is widowed, he is embittered. he wants to end his life but it keeps being distracted by his neighbours to keep breaking the housing association rules, of which he is a stickler for keeping to. when a new family moves and he is furious about their presence, their noise, generally them being there. however, a woman sees behind that curudgeonly facade, he starts to break down his resistance and amazingly, she gets him to teach her to drive. here's a clip. horn blares. a fantastic look of exasperation on his face. he has the most fantastic face. did you ever see the ioo—year—old man who climbed out the window and disappeared? no. i know the one you mean, i didn't, sadly but i read about it. i struggled with that film, because it had that scandi humour think that i never really fell in with. with this, it looks like that kind of film but then we start to learn about his life story, young romance, childhood trauma, his relationship with his wife which is idyllic but faces tragedy, and you start to understand how he got to where he is and it is sweet and sentimental. there is a lot of absurdist humour. there is an ongoing argument about whether saabs or volvos are the perfect car. how swedish. entire friendships fall out over these arguments but you start to see as a three—dimensional character. he has a strong moral compass and is somebody who has suffered and has been made bitter. inside that is the person he used to be. i went in thinking i would go for it, but i laughed and cried. i like any movie that makes me cry because it means that it's working, you believe in the characters. i really liked it. despite the tag line, you will love him as much as he hates you, which i thought would be a hard watch, it was easy to fall in with. i am looking forward to seeing that. good. alternatively, a third of any film, really, does the world need this? whether we need despicable me 3 is another question. here's the thing, i find the minions funny. they are running out of plots and they had to bring a twin brother in to make the plot work, but you see the minions before the titles and one pulls out a fart gun and ijust started laughing. i giggled like an idiot for the rest of the film because i think the minions are funny. the verbal stuff is funny and they are perfect slapstick creations, they remind me of what was funny about old silent cinema. there is steve carrell and a story about gru and his brother, a new super villain but for me i just find the minions funny. i laughed all the way through. even though i knew that i shouldn't, i did. you are allowed to do that. i am so fascinated by risk, your third choice. this is by laura poitras, who made citizenfour, about edward snowden which was brilliant. it was real edge of your seat stuff. she was in the hotel room when the revelations were made. he came across as self—effacing and shy in that documentary. someone who did not want to be the centre of the story. this is one aboutjulian assange, about whom the adjectives self—effacing and shy are not immediately applicable. the film is very conflicted about its subject. it looks like it began as a film about someone film maker admired, but that changes. the portrait we get is someone who is narcissistic, controlling, self obsessed, and has no self—awareness. here is a clip in whichjulian assange and his associate are trying to ring hillary clinton on the phone. this is an emergency. you are the emergency line and it will take a while? 0k. do you want to do that now and i will wait? he would like to speak to her about that, yes. ok, let me start by giving you my phone number. one moment, please. details including an unredacted cable set are about to go on the internet. i do not understand why you do not see the urgency in this. who is he? hello, this isjulian assange. we don't have a problem, you have a problem. that is the tone of the film. the story is well now rehearsed, i think people know the basic parameters. what is strange about this film is that it is very fragmented, it is nothing like as good as citizenfour. you can tell that it is a film in which the film—maker's relationship to the subject changed during it. when the film was first seen about a year ago, the film—makers said the julian assange demanded changes and got lawyers involved, which he did not have the right to do. she has made the film that she wanted to make. there is an irony in someone who is releasing information wanting to control it. we have seen this before in other documentaries and in the much—derided drama, the fifth estate. you get an inside view, but it is fragmented and frustrating because even when they are talking about the electio,n you want —— because even when they are talking about the election, you want the film to be more focused. it feels like it is falling apart. julian assange has said that the film will do his reputation no good at all and i think that he is right. which some people may take as a recommendation in itself. it depends where you stand on these things. it is interesting, also that it was made by a woman. what is your best out this week? 0kja. it caused a fuss when it was released at cannes because it is simultaneously released on netfix. it is basically as story about a young girl in korea who has raised a super—pig. she follows to america to stop it being experimented upon and being used for food. it is a film about where food comes from and how does capitalism hide behind a caring face. tilda swinton is a fantastically monstrous creation. the film uses brilliant cgi to bring the giant pig to life. the film is satirical and strange and i liked it. it is ideally seen in the cinema. it is very cinematic. it is thought provoking, it is not vegetarian propaganda but it will give you food for thought. i like that phrase, vegetarian propaganda. i will do something with that. what about dvds? heal the living was a small release. it is a story of a heart. it is a story about a young man he was involved in an accident and his heart may be used for a transplant to save someone else, to heal the living. it is a film about the miracle of medicine but it is more than that, it is about life and death, it is about transcendence, it takes poetic meanders into strange areas. it is very underplayed and does not feel like it is manipulating your emotions but i was totally overwhelmed by it. everyone i know who has seen it has loved that. i am genuinely looking forward to that. a good tip this week. mark, as ever, good to see you. see you next week and a quick reminder that you will find more film reviews and news from across the bbc online. we know the address by now. and you can find all our previous programmes on the bbc iplayer as well. that is all for this week. enjoy your cinema going. bye— bye. it hasn't been too bad a day for only part of the british isles but even on only part of the british isles but even on the big picture you get a sense of something going on in the north of scotland. a weather front is producing bits and pieces of rain and will continue to do so, gradually moving into the far south—east to start a new day on sunday. it won't be a cold start to the day by any means at all. once we get rid of that rain, england and wales, no complaints. a decent sort of day. century maybe a little more fleeting in northern ireland has become up to one central and western parts of scotland, noticeable wind and plenty of showers. some of bush is breaking through to the east. temperatures pretty much where we have been during saturday. through the evening, we will keep those showers corn. long spells of rain for a time. further south, a pleasa nt for a time. further south, a pleasant evening. in the mundy, sunny spells, abbot of cloud and top temperatures of 24. this is bbc news. the headlines at 11pm: the government says it will keep a close eye on kensington and chelsea council, after its leader quit over the grenfell tower fire. the absolute priority remains looking after the victims, their families and friends, making sure they get everything they need and in doing so, when it comes to the local council, nothing is off the table. residents in the community who have been affected by the fire say help is there, but only if they look for it. especially for people like in the tower, a lot of them are still not out there yet, are still in bereavement and facing trauma, so to get out and get the word out to them is very difficult. after days of intense fighting, iraqi forces have taken control of the main base of the so—called islamic state in the city of mosul.