aneel gupta, the bafta—winning writer and executive producer behind the office and also citizen khan and the kumars at number a2. aneel, you adapted the story of ta rtuffe into a play about a british—pakistani family in modern—day birmingham. how does that work? amazingly, it works quite well. the rsc had the idea, i think because obviously as you mentioned, the original play was an incredibly dangerous piece of work and you could have got killed for doing that sort of thing in 17th—century france where it was, as with a lot of great comedy, walking on a very thin tightrope, in terms of taste and what the public were