IN THE BEGINNING there was vibration: the originary pulse from which everything in the universe is shaken into being. Sound is one way vibration, that foundational matter-mover, makes sense. For the great artist-composer Camille Norment, sound is both a material essential to her practice—which arcs across sculpture, installation, drawing, music, and live performance—and a catalyst for the rearrangement, the reinvigoration, of perception, relation, and the attention we pay to the inner and outer worlds. “I believe in the sonic metaphor,” she said in a public conversation with Axel Wieder, director

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