From black hats to psychopaths, here's how filmmakers choose to represent evil on-screen. United Artists Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video essay about the aesthetics of evil in film. To quote a wise tweet I once saw: “Ideologically, I don’t agree with villains. But it’s hard to argue with the way they’re dressed.” Indeed, when it comes to looks, villains frequently reign supreme. It’s hard not to marvel at Reverend Powell’s knuckle tattoos in The Night of the Hunter or Dracula’s tiny royal blue-tinted glasses in