with the reckless blossoms of weeds.” So ends Mary Oliver’s “The Kitten,” a heart wrenching but beautiful poem about the burial of a stillborn black cat, the titular inspiration for printmaker and illustrator Anthony TungNing Huang’s exhibition “The Reckless Blossoms of Weeds” at Cedar House Gallery. The works in the show, Huang’s SCAD MFA illustration thesis, share some of the emotional impact of Oliver’s piece, particularly the feelings of isolation or solitude. From there, however, he diverges from the tragedy presented in “The Kitten” to explore a secondary theme he found equally powerful in her compositions.