Singing under white lights for the majority of the performance, accompanied by a string ensemble, the setting shifts as Rodrigo approached the gripping bridge of “Drivers License.” As she sings, “Red lights, stop signs / I still see your face in the white cars, front yards / Can’t drive past the places we used to go to / ‘Cause you know I still love you, babe,” the stage is drenched in red light and the intensity of the instruments increases. As Rodrigo enters the final chorus, her vocals come down from a high and the spotlight returns to the comfortable white that it was before.